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Bringing sounds into use: Thinking of sounds as materials and a sketch of auditory affordances

机译:运用声音:将声音视为素材和听觉能力的草图

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摘要

We live in a richly structured auditory environment. From the sounds of cars charging towards us on the street to the sounds of music filling a dancehall, sounds like these are generally seen as being instances of things we hear but can also be understood as opportunities for action. In some circumstances, the sound of a car approaching towards us can provide critical information for the avoidance of harm. In the context of a concert venue, sociocultural practices like music can equally afford coordinated activities of movement, such as dancing or music making. Despite how evident the behavioral effects of sound are in our everyday experience, they have been sparsely accounted for within the field of psychology. Instead, most theories of auditory perception have been more concerned with understanding how sounds are passively processed and represented or how they convey information of world, neglecting how this information can be used for anything. Here, we argue against these previous rationalizations, suggesting instead that information is instantiated through use and, therefore, is an emergent effect of a perceiver’s interaction with their environment. Drawing on theory from psychology, philosophy and anthropology, we contend that by thinking of sounds as materials, theorists and researchers alike can get to grips with the vast array of auditory affordances that we purposefully bring into use when interacting with the environment.
机译:我们生活在一个结构丰富的听觉环境中。从大街上冲着我们的汽车的声音到舞厅里充满音乐的声音,类似的声音通常被视为我们听到的事物的实例,但也可以理解为采取行动的机会。在某些情况下,汽车驶向我们的声音可以提供关键信息,以避免造成伤害。在音乐会场所,音乐之类的社会文化习俗同样可以提供协调一致的运动活动,例如跳舞或音乐创作。尽管在我们的日常体验中声音的行为影响有多么明显,但在心理学领域却很少有人考虑到它们。取而代之的是,大多数听觉感知理论都更关注于如何被动地处理和表示声音,或者声音如何传达世界信息,而忽略了这些信息如何用于任何事物。在这里,我们反对这些先前的合理化,相反,它表明信息是通过使用实例化的,因此,是感知者与其周围环境互动的一种新兴效果。我们从心理学,哲学和人类学的理论出发,认为通过将声音视为材料,理论家和研究人员都可以掌握与环境互动时我们有目的使用的大量听觉能力。

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